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Underwater Photography of People
Underwater Photography of people
Underwater photography of people presents some unusual lighting challenges. In order to produce really good images of people underwater, one of the most important considerations is getting enough light into the facemask to light the diver's eyes and face. Diver generally wear a clear silicone mask to allow the most light into the eyes and face and does not create harsh contrast with the skin like a black mask would. When working with models, it is often best to handhold the main strobe so you can position it for the best lighting angles. If you are using two strobes, the second or fill strobe should be mounted to the underwater camera. Another consideration when working with models is how you are going to communicate with each other underwater. It is best to work out some signals with your model before you get in the water. The model needs to know how you want him/her positioned for each shot. You cannot communicate effectively if one person does not understand what you are trying to say. Working out signals in advance lets you, the photographer, control the shooting situation so you can position your model for your preferred lighting setup. Sometimes it helps to have your model take a look through your underwater camera to get a feel for what the lens will show. Tips
1. Do not shoot until after your model exhales and the bubbles have cleared the frame. The bubbles are a distraction. 2. The model is generally not the main subject. Instead the model calls your attention to the true subject by looking at it. For example, the model looks at a fish, inspects a wreck, or considers photography something on the reef. Silhouetted models are positioned to call attention to the reef that has been lit by a strobe. 3. Pay special attention to eye positions, bubbles that cling to the skin, float away hair, skin folds in the neck and cheek, and other details. 4. Produce agreeable skin times by getting close to your model. If your model is not close enough, the skin tones become pasty as light falls off. 5. When the model looks at the camera, the model becomes the main subject because the viewer's eye is naturally drawn to the subject's eye. 6. Unless you are taking snaps for mom, have your model look elsewhere, preferably at the subject. 7. Keep the model's face clear and unobstructed. 8. Your model should wear a clear silicone mask and, if possible, be color-coordinated. If your model wears too many colors, it is distracting to the viewer. 9. Eliminate dangling hoses by taping them to the tank. 10. If you are shoot only part of a model, such as the upper body, an upright position looks more natural than a horizontal one. 11. If you are photographing the whole model, have your model in action, i.e. swimming slowly. A swimming diver looks more natural than one at rest. 12. Carry an underwater slate for clarifying instructions underwater.
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Getting enough light into the facemask to light the diver's eyes and face is a very important point. Thanks for the information.
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This intel was contributed by Mike Chua
Mike Chua
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May, 2012
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